An Incident At Queen’s Cross

Every Christmas at London Reconnections we like to bring you something a little bit different. This year, John Bull takes you to a London that never was. Merry Christmas to all of our readers, and a happy new year!

As she passed through the high iron gates into bustling Queen’s Cross station, Charlie couldn’t help but smile. The popular press still insisted Paddington was prettier, but Charlie wasn’t convinced. She’d always found it rather pompous, much like its designer. She’d met Isambard at a party once and, charming as he was, he was definitely a man who wasn’t content being the smartest person in the room. He needed everyone else to know it too. 

Queen’s Cross newer, connecting London to the north and, via Isambard’s latest wonder, to continental Europe too. Cubitt’s station was more compact and severe, but it felt more welcoming and less imposing. Full of porters, passengers and – at this time of year – Christmas carollers – it felt warmer and more welcoming too. To Charlie, it was perfect.

“Usual pattern, sir?” Sergeant Jack Colville asked from beside her.

“Let’s change it up today, sergeant.” She replied. “Concourse first then suburbans. We’ll then loop back and take up position under the departure board.”

The sergeant nodded. At forty-five, sergeant Jack Colville was almost twenty years her senior. At first, Charlie had worried that he’d resent taking orders from a much younger lieutenant, but they’d quickly come to recognise each other’s value.

It didn’t really matter what route they took through the station, of course. Officially the Royal Railway Constabulary were there to protect and police Albion’s railways, but serious crime on the network was rare. They were really there to remind people that it was parliament who controlled the railways, not the nobility. “The Rails”, as they were known, were a quirk of the original Railway Act, the only element of Parliament’s small, standing army not bound by the Warwick Accords. They were better trained and armed than almost any of the county regiments fielded by the nobility, even those of the five great houses. The balance of power between parliament and nobility. The Rails were a critical part of its preservation.

They moved through the concourse, where today commuters mingled with longer distrance travelers headed out to see family and friends for the Christmas season, and continued on through to the suburban platforms. It was a cold day, and the frequent movements of smaller engines in and out of the station left a veil of smoke lying low in the air, creating strange shadows in the gaslight. Normally Charlie would have lingered there for a while, enjoying the scene, but when they’d arrived she’d spotted something that had piqued her interest and made her vary their patrol route: the international arrivals platform was open, but empty.

Charlie wondered if Jack had spotted it too, but she doubted it. Jack was a soldier first and a railwayman second. For Charlie, the railways had been her first love. As a small girl, she used to dream of being a driver, but her father would never have allowed it. Instead he’d tried desperately to channel her passion into something else and when she’d shown an interest in a military career as a teenager he’d jumped on it. She’d been packed off to the finest military in the land, where she’d soon risen to the top of her class.

Too late her father had realised her true plan. He’d been horrified when she’d transferred into the Royal Railway Constabulary and threatened to disown her. When she’d refused to back down he’d stopped just short of it, but he had taken away her name. For this and… other reasons, it was now two years since she’d seen her family. 

On days like this, though, Charlie didn’t regret her choice one bit. As they took up position in the arches beneath the departure board, with a coincidentally clear view of the international arrivals platform, she wondered what could be coming through Brunel’s new tunnel today. Last month it had been the Austro-Hungarian ambassador, one of the junior Habsburgs all frills and feathers. The train had befitted the man, a single-engine, single carriage train that made the Orient Express look like a glorified tank engine. 

Two weeks ago, she’d seen something very different. She’d watched as an enormous Prussian artillery train had drawn into the platform, part of a ceremonial visit from Albion’s newest continental ally. Pulled by two boxy, armoured locomotives, the four sixteen-inch guns on its back would have put a battleship to shame. Charlie had found herself excitedly describing the complexities of dispersing their weight over standard bogies to Corporal Burns, who had been her patrol partner that day. She’d appreciated the effort he’d put in to pretending that he was interested.

Today, they heard it before they saw it. A low, throbbing sound coming up the rails. They felt it in the air, too, which suddenly felt more charged, making the hairs on Charlie’s arm stand on end. Her pulse quickened. Whatever was coming was no normal train. There was magic involved too. A few seconds later they finally saw it, and Charlie’s breath caught in her throat. Even Jack was impressed.

“Is that..?” He began, but trailed off.

The train drifted into the platform with a low growl. They weren’t the only ones watching it now, which was hardly surprising. The carriages, though elegant, were nothing particularly special. It was the engine that really drew the eye. Its long body was clad in a sleek covering that gave it a streamlined shape, punctured only occasionally by polished brass pipework. The funnel was recessed into the top, adding to the effect. At the front, the extended covering swept downwards at a slight angle, covering the front two sets of wheels almost entirely and stopping barely short of the rails. A single, bright light adorned the front, cutting through the darkness and lighting up the platform. In comparison to the standard tenders sitting in the other platforms at Queen’s Cross, it seemed otherworldly.

“It is.” Charlie said, answering the sergeant’s unfinished question. “It’s the Duke of Normandy.

The locomotive bore no nameplate, but it didn’t need to. There weren’t many engines like this, and only one was blood red and gold, the colours of the Duke’s coat of arms since the days of William the Bastard.

Barely had the crimson engine drawn to a halt before doors began to slam open along the length of the train, sending a ripple of noise echoing through the station.

“Only six cars.” Jack noted beside her. “So it can’t be carrying His Lordship.”

“His Grace.” Charlie corrected, absentmindedly. “Lords are Lordships. Dukes are Graces.” 

“They can call themselves whatever they like.” The sergeant continued, dryly. “They still bleed the same colour blood as the rest of us and shit in the same pots.”

In the county regiments where the forms were much more rigorously observed, the comment would have been enough to land the sergeant on a charge, or worse.  But things were different in the Rails. Charlie ignored it.

“Mind you lieutenant,” he continued, “credit where it’s due. His Grace certainly did his share of bleeding in the war.”

That much was true, as Charlie knew only too well. The Franco-British war may have been short, but it had also been bloody. A lot of that blood had been spilled in Normandy, as the French army tried to take back land that they still regarded as rightfully theirs. 

The war had made the Duke of Normandy’s reputation as a fearless commander. Outnumbered and surrounded, he had led the British to a shock victory at the Battle of Fontainebleu Forest. It had shattered the French invasion almost before it had begun, bringing a swift end to the war, but the victory had cost the Duke a leg and a lot of mothers their children, on both sides. Less than a third of the soldiers who had fought in the battle left the forest alive, and it was said that those who did would carry a piece of it with them forever. Charlie found herself reflexively rubbing the long, dark scar on her thigh.

It was not just those on the front line who had suffered, of course. London had too. Charlie found herself gazing up at the roof of the station. It had been snowing all day, and it was getting heavier. The light flurry had become a blizzard and snow was now pouring through the empty frames that arched high over the platforms at Queen’s Cross, robbed of their glass during the French Zeppelin raids over London. 

The snow was no longer just dancing and evaporating in the steam and the light. As the flakes got heavier and more frequent they began to pass through and reach the platforms below. Soon the snow would begin to settle. Not on the platforms or the rails, where the continuous passage of people and trains would keep things clear, but on everything else. Within a couple of hours, Charlie suspected, it would be a white Christmas inside Queen’s Cross, as well as outside.

A sharp intake of breath from Jack brought Charlie back to reality. Glancing back down she saw what had caused it. Among the minor nobles and provincial bureaucrats disembarking from the train one group of travellers stood out clearly.

There were about twenty of them, a mixture of men and women wearing long, grey greatcoats trimmed with wolf fur. The coats were open and both Charlie and Jack could see what the soldiers wore beneath – crisp white uniforms, trimmed with silver and cut across with double red sashes. At their belts were clipped black shakoes and curved sabres. On their feet they wore polished black cavalry boots with steel heels and toe-caps.

“The White Wolves.” Said Jack, with what Charlie sensed was genuine respect. “The Duke of Normandy’s Own. Now that is something you don’t see in London every day.”

As the two troopers watched, the soldiers on the platform began to assemble into marching order. They did it with an enforced casualness that, to the experienced observer, betrayed both their confidence and ability. As it should, Charlie mused. There was no finer regiment in the county forces.

“We could take ‘em.” Jack said from beside her, as if reading her mind, but Charlie could sense that even he didn’t seem entirely sure.

Suddenly, the soldiers on the platform snapped to attention. At an unheard order from the train they moved as one and in a three-part motion reached under their coats, snapped their shakoes off their belts, and placed them on their heads.

A figure stepped out of the first coach. She was relatively young, around thirty at most, but she carried herself with the kind of raw, confident authority that only came from command in combat. Her uniform was subtly different from the others. She wore no great coat. Instead a scarlet cape draped across one of her shoulders while the other carried a silver epaulet. This marked her out as an officer, but the clue to her true rank was the clasp that held the cape at her neck: a silver wolf’s skull. The mark of a full colonel.

Charlie was unable to take her eyes off her.

The colonel glanced side to side, as if taking stock of the station. The long, tightly woven black braid that ran right down her back moved as she did so. For the first time, this gave Charlie and Jack a clear view of her face. It was cold and calculating and one eye was covered by a patch, but the other gave away who – or rather what – they were looking at. That eye was a solid, blazing green.

“Bloody hell.” Said Jack, in awe. “Is she a Battle Mage?!”

Before Charlie could answer, the assembled White Wolves began marching in tight order towards the station exit, the colonel at the rear. Their path would take them straight past their position, so Charlie took a step backwards into the arches to avoid being seen. Jack moved behind her, automatically doing the same. Within moments, the White Wolf unit was passing their position. Charlie watched the colonel carefully the whole way.

“Don’t worry sir.” Quipped Jack quietly in her ear, mistaking her wariness for jealousy, “Maybe one day command will give you a side-cape too.” 

The remark caught Charlie off-guard and she let out a snorted laugh. The White Wolves continued forward without so much as a glance but the colonel, marching behind, was different. At the sound, her eye flew wide and she turned and looked in their direction. The moment she caught sight of Charlie, she stopped and her entire body language seemed to shift. The coolness of command disappeared and she relaxed, a broad smile bursting across her face. Despite its solid colour, her gaze seemed to soften somehow. With faux-seriousness she clicked her heels together, bowed with an elaborate flourish and then quickly straightened. She blew a kiss at Charlie and winked. Then, as if nothing had happened, the mask of formality descended once again. With three quick steps she caught up with her unit. Within another minute the White Wolves were out of the station entirely.

Charlie felt as if a weight she hadn’t realised she was carrying had finally been lifted.

“I think you’ve got an admirer there.” Jack commented behind her.

A grin played across Charlie’s face.

“Hardly, sergeant.” She said, without turning round. “That’s my sister.”

The words were out of Charlie’s mouth before she could stop them and she immediately cursed herself, quietly. She’d made it this far without talking to her unit about her background, about her family. Always on guard, always careful. Yet lost in the smoke, sound and smell of the largest station in the world, and caught out by her sister Antoinette’s surprise arrival, she had let her mask slip.

She didn’t dare turn around so felt, rather than saw Jack tense.

“Huh.” He said, eventually and… that was it.

Finally, she dared to glance back at her sergeant. Jack’s expression was fixed, but his eyes were alive, as if she’d just confirmed something that he had suspected for a while. She’d forgotten one of the reasons she’d liked him almost the moment she’d met him. He was far smarter than he ever let on.

“You knew?” She asked.

Jack smiled, wryly. Charlie knew that was all the answer she’d get for now.

“You won’t tell anyone?”

Jack shrugged. “Not my secret to tell. Besides,” he added, breaking into a grin, “I’m hoping you’ll introduce me to your sister.”

Charlie laughed with a freedom she realised she’d not felt for a while.

“Trust me.” She told him. “You are definitely not her type.”

“Shame.” Jack replied, pretending to be hurt. 

Before he could say anything else, Their attention was drawn away by a small party of school children, neatly uniformed and almost all clutching cameras with their teacher in tow. The more utilitarian green uniforms of the Royal Railway Constabulary may not have rivalled those of the White Wolves, but to a group of children up from the countryside they were still an impressive sight.

Their teacher approached Jack. 

“Is it okay if..?” She began.

With a subtle flick of his wrist the sergeant double-checked his holster lock and the safety on his auto-pistol. He did it so discreetly that Charlie suspected she was the only one who noticed him do it at all. Once he was happy, he smiled broadly at the teacher.

“Of course,” He said, beckoning them forward, “But only one at a time.”

While Jack posed for photos and answered questions, Charlie took the opportunity to turn away and admire the Duke of Normandy again. One of only four Excalibur Class locomotives ever made, it was magnificent. All clean lines and brass, simmering in the platform as its crew busied themselves around it. It looked like a caged tiger, alert and waiting to pounce. And pounce it could. Lurking behind the sweeping curves of its tender was one of the most powerful double turbines ever made at the Derby Arcanomechanical Works. The perfect merger of steam and magic.   

As she watched, the Normandy let off steam with a loud hiss, sending steam and smoke billowing into the air. The snow flurried around it and the air crackled with lightning, giving a hint to the power that lurked within.

Charlie instinctively closed her eyes and breathed in deeply, taking in the scent of sulphur and ozone that filled the air. She found herself letting the soundscape of the station wash over her – the hiss of the Normandy, the quiet, resting purr of its double turbines…

…and the whipcrack of a gunshot.

Charlie’s eyes snapped open.

Anyone else might have questioned whether they had heard the shot at all. The railways were full of loud bangs. London, where petro-Hackneys increasingly roamed the streets, even more so. But Charlie knew that sound too well.

Single shot. North. 

She was already moving. Around her, time seemed to slow down. On the international platform, heads were starting to turn.

Second shot. Too quick. Auto-pistol.

Her own pistol was now in her hand. Someone screamed. The crowded platform started to flow as one away from the gunfire, towards her.

Third shot. Different gun.

She instinctively jinked sideways to the edge of the platform as she ran. It took her right up against the hissing bulk of the Normandy, but she now had a clear path up the inside of the crowd. A burst of steam from its lower pipework scolded her legs. She barely noticed. A problem for later.

Fourth shot. Third weapon.

At least three active combatants then. As the crowd surged past her she flipped the safety off of her own pistol and carried on moving towards it. Not just because she was trained to. Not just because she knew sergeant Jack Colville must be only a fraction of a second behind her now…

Fifth shot. Auto-pistol. Another Scream.

…But because someone was firing guns in her station and people were getting hurt. And she intended to stop it.

As the crowds surged past her, lieutenant Charlotte Norman, 1st Battalion Royal Railway Constabulary focused on the sound of gunfire ahead of her and ran even faster.

Illustration by Lavie2K

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25 comments

  1. This reminds me of Randall Garrett’s Lord Darcy stories, set in a world where the Plantagenet dynasty remained in control of an Anglo-Norman empire and magic had been understood and codified as another branch of science. Good stuff

  2. Dear Mr Bull (Or in my own language: Meneer Stier) ,

    Will we get to read the end of your riveting story, or will you let us hang in suspense for the rest of our lives ?

    C Harjinder Singh Heule
    Ghent – East Flanders – Belgium

  3. Inspired by Michael Moorcock, no doubt.
    Just one problem. Not all the English speaking world has the same attitude to the use of expletives. Was the f word really necessary in this forum?

  4. I never read “what if” type stories, they just don’t grab me. But this was excellent. I have to know more!
    I hope I find out that behind her back the men affectionately call her Colonel Bogie…

  5. That locomotive bears more than a pssing resemblance ot a Norfolk & Western Class J

    Right continent. Lavie asked me for a reference for the drawing and I pointed her in the direction of the Hudson F7, which I’ve always felt looks like something out of a Japanese computer game.

    @nameless: Jack is a soldier. In my head he speaks like a soldier, and that’s what every soldier I know would have said in that situation. I’ve mellowed it slightly though.

    Ashamed as I am to admit it, the only Moorcock I’ve ever read is the bizarre crossover sci-fi book he did with Hawkwind. I really need to read more! My inspiration for this was more a lot of computer and pen & paper roleplaying games, combined with studying English Civil War and 19th Century military history.

    To those asking: I always saw this as a stand-alone short story rather than anything else. A way of playing in a universe I’ve built in my head.

    I know what the gunfire is, of course, and what happens next. I just wanted that Jackanory moment to end on!

  6. @John Bull

    The only Moorcock that I’ve read is The Warlord of the Air, about giant armoured Zeppelins in a world where The Great War never happened. Steampunk before the term existed. Very enjoyable.

  7. There’s also the very-close-to-our-universe “Laundry” series by Charlie Stross … where magic is real, but controlled by computation … which was all very well until people started using computers in large numbers – & – things start to come apart.
    “The spiky ones live at the bottom of the Mandelbrot Set”

    I do trust we wll get more, at some future point?

  8. Well stopping there is just cruel. This definitely needs to be a novel, and I would buy it like a shot. Merry Christmas, thanks for the story and a great years worth of posts on blog and Twitter.

  9. I’d love to know which magical universe this is closer to – that of Ben Aaronovitch’s Rivers of London, or perhaps the Old Kingdom in the books by Garth Nix. Battle Mage sounds more like the latter.

    I do hope you don’t keep us waiting too long for Chapter Two!

  10. Incongruity alert; unless the picture belongs to another scene altogether. After the second shot ‘Her own pistol was now in her hand.’ Also the story has her running along the platform from the concourse. The loco. would therefore be the other way round. Or is this all artistic license.
    The story is superb. Please, please, PLEASE can we have the rest.

  11. Very good, I do like a bit of alternate history… there’s some really interesting ideas in here, it seems a shame to not develop them further

  12. Incongruity alert; unless the picture belongs to another scene altogether. After the second shot ‘Her own pistol was now in her hand.’ Also the story has her running along the platform from the concourse. The loco. would therefore be the other way round. Or is this all artistic license.

    Artistic license. Seemed a bit pointless to miss the opportunity for a better picture. I actually had a paragraph in the story, to begin with, hand-waving it away by saying that the train had reversed in, but it felt contrived and slowed the pace of the story down. As it was only there to justify the picture, I took it out.

  13. Super stuff. Would definitely finish reading this story.

    Very minor nitpick – should “scolded” really be “scalded” – burned by hot water / steam ?

  14. It’s a magic train, and this is broadly the Victorian era. Maybe it actually *is* telling her off because it can see her shins….

  15. Artistic Licence.
    You have thrown light on my oft expressed exasperation at the incongruity between Book covers and their contents. I now realise that I have always falsely assumed that the artist has 1) done their work after the author has finalised the full text and 2) had time to read all of that text. I fear that these assumptions have only made an ass of me. I also wonder in what other contexts this applies.
    Will you publish as John Bull or some other pseudonym?

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